unhurried pieces that inhabit a unique sound world characterized by wheezing
and AACM-esque flute jams are interrupted by violent bursts of laughter and wet-mouthed sound poetry
Initially working with simple intervals such as octaves and fifths
The stereo and computer were both left undisturbed for an afternoon
Henry magnifies the film's intoxicated
Karl Lindh – Bortom E4's Horrisont [LP] Sound Art / Sound Poetry unhurried pieces that inhabit a"Smudgy existential electronics and pristine minimal jazz with a furtive, fugitive feel. It's a creepy, brown carpeted, Cold War ish mise en scene, painted with a wonderfully peculiar palette keyboards, double bass, vibraphone and rigid drum machine tick n tock, a perfect marriage of fluency and stiffness, of all pervading paranoia and carefully portioned camp (Kraftwerk in The Red Room?). Romance too "Djurgardsgatans Ogonblick" and "Jag. Mitt Kaffee"