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He sat for Ellis (1876-1955) several times in the 1920s
chipped at tips of corners and faded on the spine
they focus on the people and characters they meet along the way
the first of four produced by Haskins in the 1960s wherein he adopts a fresh approach to photographing the nude female figure with new techniques in black-and-white printing
Bound in full red crushed morocco with decorative gilt borders
Balenciaga and Spain JEWELS He sat for Ellis (1876-1955)New York: Fine Arts Museums of San Francisco & Skira Rizzoli, 2011. Large format hardback with the excellent dust jacket. Colour photographs throughout including many full page examples. A fine copy.
