The Bottom of My Shelf delete and for the most part

and for the most part still undiscovered

Charles Nègre presents a series of ultra-contemporary still lifes he created at the end of the Parisian markets

We touch each hair

We’re focused on the collective

and materiality as well as how Serpas’s method updates the tradition of readymades

The Bottom of My Shelf delete and for the most partThe Bottom Of My Shelf proposes approaching a bookshelf without any intention in mind: trying to get lost in the spines, taking in all the different colors, textures, and typefaces. Thinking about how their dimensions vary all the time, or how they otherwise form themes and collections. In this way standing in front of a bookshelf becomes a sort of drive, with the eye left to wander and rest on whatever it sees fit.