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the geology of the cliff — the horizontal banding
His botanical eye was as rigorous as his wildlife eye — he understood how flowers hold light differently from fur or feather
This is one of Glen's most personal paintings — the subject is not wilderness but the familiar
tongue out
The graphite work here is among Glen's most technically demanding: the tiger's anatomy is rendered with the accuracy of someone who has studied big cat specimens closely
Red Fox and Kits — Framed Piece Print Size:11.5" x 14" the geology of the cliffA vixen with two kits in an autumn woodland the mother resting, the two young foxes alert and watchful beside her, maple leaves scattered around them. This is a coloured pencil composition of unusual warmth: the autumn palette of the forest orange and gold leaves, warm brown earth rhymes with the foxes' own colouring, making the family feel completely embedded in their habitat. Glen's fox family compositions are among his most beloved the combination
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